Chatterton - Poet
I don’t often write about writing – but here we go. Not so much getting it off my chest as doing a little literary tombstoning.
This is what I have to say: Don’t tell me writing is a lonely, isolated business.
Anything is an isolated, lonely business if that’s what you want it to be. Accounting. Basketball. Gardening.
I am an actor (too) – I could choose to spend years touring a one-woman show. I know people who do. I don’t. But it’s an option. I could video myself and post on Youtube – never even see an audience. It’s an option. Some writers choose to write alone. Some don’t. Some make it work when they don’t have a choice.
None of those jobs (accounting/ basketball/ gardening) is any more lonely than they need be.
Just because you can do it in the nude at 3am does not mean writing is isolating. A writer has choices. Write in the nude. Or write in overalls and gas mask. Something in between. No-one cares. They’ll care when you come up with the writing and then they will only care about the writing. Not your gas mask.
The 19th century romance about the wasting, tubercular, attic-living, candle-eating fringe-dweller is a ROMANCE. It is useful for people who want to “be a writer”. It is easy to confuse wanting to “be a writer” with “writing”. Don’t tell me I need to live in an attic. I just want to write. I am wishing for time – not a hermetically-sealed writing-bunker.
I tell you this: I would kill for lonely and isolated. Not because it fits the image – but because I am desperate to write. But there are kids and family. Then there are the summer holidays. Then there is the world. Mostly, the world.
Mum working - photo by Joey, 9.
I applied for a grant recently, one established to assist women writers, which would have given me uninterrupted time to write. I was very, very eligible for this grant. I was recommended by a friend in the right place. All boxes ticked. Except one. For reasons I won’t go into here – but largely procedural, historical and nothing to do with my work – I was finally ineligible for the grant. Well, that’s how it goes.
But – there was a long time on the phone listening to how the grant was set up to address exactly the issues that Virginia Woolf addressed in the 1920s – conditions which still dog and disable so many female artists (the inequitable burdens of children, elderly parents, wider social expectations). I listened. I did a lot of agreeing and recognising of the issues. Finally, the CEO administering the grant asked me:
‘…and how many children do you have?’
I said: ‘Three boys. 5, 7 and 9 years old.’
‘Oh…,’ she said, ‘…you make the most of them!’
And she terminated the conversation and with it my hopes of a bubble of time which would have made an enormous amount of difference to my work. Immeasurable. The sign off “you make the most of them” is: “wait your turn – you’re not finished your day job yet…” it was: “Three kids? What are you thinking? And who is going to look after them?” It was: “…go and stick to what you know. I’ll decide when you’re ready to leave your kids.“
And she knows as well as I do that she wouldn’t have said it if I had been the Dad.
Mum working (2)